In the early stages of the project’s development, the
focus was largely on tableware and interior design items,
whilst she perceived the country’s material heritage
as limited and monotonous.
This perception was largely attributable to the historical
context of the Soviet period and cultural isolation,
under which mass-produced, standardised objects were
predominantly manufactured domestically, whilst access
to foreign works of art was severely restricted. However, as the
research into material culture deepened, the project’s focus
gradually shifted towards objects characteristic of the post-Soviet
space and Russia.